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Screen/Society--"I Love Boosters" (2026) + panel discussion w/ dir. Boots Riley, in person!

Speaker

Panel Discussion to follow with writer/director Boots Riley, in conversation with Prof. Franklin Cason (Cinematic Arts/AAHVS), Prof. Michael Hardt (Literature), and Prof. Kathi Weeks (Gender, Sexuality & Feminist Studies)

Special public screening w/ filmmaker Boots Riley in person: "I Love Boosters" (Boots Riley, 2026, 105 min, USA, DCP) == Free parking for this event will be available in the Campus Drive Lot (across from the Rubenstein Arts Center, on Anderson St.) Limited space available, seating will be first come, first served. Doors open 30 min. before show-time. == ABOUT THE FILM: "booster" (n.) - someone who illicitly procures goods from a store and sells them at a discount price Within the aisles of the languishing department stores of Oakland, California, where the townspeople themselves can't afford to step through the front doors, Corvette (Keke Palmer) has a scheme. She and her crew are entering these places, fly but broke, and skittering off with the loot: racks of high-fashion clothing made by the exalted designer Christie Smith (Demi Moore) that they'll redistribute to the masses on the cheap. Call it community service. Corvette wants to be like Christie, an artist who creates these beautiful and daring garments. But the closest she can get to Christie's world is only in disguise, and boosting through the Bay eventually leads Corvette on a consciousness-splitting adventure into new dimensions - and perhaps another way of seeing where she belongs in a bizarre world. From the mad mind of Boots Riley ("Sorry to Bother You"; "I'm a Virgo") comes "I Love Boosters", an electric, mind-bending odyssey through the world of high-fashion and low-rent economies. An outrageously outré vision, Riley's sophomore feature takes us from the malls of Oakland to the factories of China, as Corvette and her fellow boosters, Sade (Naomi Ackie) and Mariah (Taylour Paige), steal their way into a surrealist fantasia that confirms the auteur as an utterly singular voice in contemporary cinema. The film is as stylish as it is humorous and radical. And ultimately, [director Boots Riley] hopes it sparks something beyond the screen: 'I want you to engage with it as a piece of art and come to some conclusions, and hopefully it inspires you to go out and help make a mass, militant, radical labor movement... We need to try to get control of the wealth we have created with our labor.'" -- Jessica Herndon, Sundance Institute == About the filmmaker: Boots Riley is a rapper, songwriter, record producer, filmmaker, and activist whose work operates at the intersection of art & radical politics. [See website for more info.]

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Movie/Film